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Nyakallo Maleke
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Nyakallo Maleke
About
Drawings
Writing
Publications
Press
Contact
About
Drawings
Writing
Publications
Press
Contact
Enclosed 2020 drawing. Thread, watercolour, pastel and charcoal on wax paper 150 x 99 cm

Enclosed 2020 drawing. Thread, watercolour, pastel and charcoal on wax paper 150 x 99 cm

That's The Way We Flow (2020). Drawing. Thread, Oil Pastel and Charcoal on Kraft Paper. 150 x 99cm

That's The Way We Flow (2020). Drawing. Thread, Oil Pastel and Charcoal on Kraft Paper. 150 x 99cm

Thandi - Gladys (2019)

Thandi - Gladys (2019)

Poetic Drift (2021) Drawing. Thread, Pencil and Oil Pastel on Wax Paper

Poetic Drift (2021) Drawing. Thread, Pencil and Oil Pastel on Wax Paper

Untitled (2020). Drawing. Oil Pastel, Thread and Pencil on Wax Paper

Untitled (2020). Drawing. Oil Pastel, Thread and Pencil on Wax Paper

Untitled (2021) Thread on Wax Paper

Untitled (2021) Thread on Wax Paper

River (2021) Drawing. Pastel, Thread and Charcoal on Wax Paper. 143 x 30cm

River (2021) Drawing. Pastel, Thread and Charcoal on Wax Paper. 143 x 30cm


Shine your light 2020 thread charcoal and pastel on wax paper 223,5 x 44 cm

Shine your light 2020 thread charcoal and pastel on wax paper 223,5 x 44 cm

Ba Re Hloka.2020.1200x300 cm

Ba Re Hloka.2020.1200x300 cm

to be given back distorted: code switching duologue (2021) drawing installation.
Territories Between Us curated by Tshegofatso Mabaso
Iziko Museums
image by: Nigel Pamplin

to be given back distorted: code switching duologue (2021) drawing installation. Territories Between Us curated by Tshegofatso Mabaso Iziko Museums image by: Nigel Pamplin

to be given back distorted: code switching duologue (2021) drawing installation.
Territories Between Us curated by Tshegofatso Mabaso
Iziko Museums
image by: Nigel Pamplin

to be given back distorted: code switching duologue (2021) drawing installation. Territories Between Us curated by Tshegofatso Mabaso Iziko Museums image by: Nigel Pamplin

to be given back distorted: code switching duologue (2021) drawing installation.
Territories Between Us curated by Tshegofatso Mabaso at Iziko Museums
image by: Nigel Pamplin

to be given back distorted: code switching duologue (2021) drawing installation. Territories Between Us curated by Tshegofatso Mabaso at Iziko Museums image by: Nigel Pamplin

to be given back distorted: code switching duologue (2021) drawing installation.
image by: Nigel Pamplin

to be given back distorted: code switching duologue (2021) drawing installation. image by: Nigel Pamplin

to be given back distorted: code switching duologue (2021) drawing installation.
image by: Nigel Pamplin

to be given back distorted: code switching duologue (2021) drawing installation. image by: Nigel Pamplin

Untitled (2020) Drawings. Thread and Pencil on Wax Paper

Untitled (2020) Drawings. Thread and Pencil on Wax Paper

Untitled (2023) Mixed Media Collage

Untitled (2023) Mixed Media Collage

UP. (2021) Drawing. Thread on Wax Paper. 49,5 x 28cm

UP. (2021) Drawing. Thread on Wax Paper. 49,5 x 28cm

Thinking Out Loud (2023) silk screen print

Thinking Out Loud (2023) silk screen print

Untitled (2023) charcoal pencils and charcoal on wax paper

Untitled (2023) charcoal pencils and charcoal on wax paper

Untitled (2023) detail

Untitled (2023) detail

Untitled (2023) charcoal pencils and charcoal on wax paper

Untitled (2023) charcoal pencils and charcoal on wax paper

Untitled (2023) detail

Untitled (2023) detail

Copper Notation II (2021). Drawing. 21,5 x 19cm

Copper Notation II (2021). Drawing. 21,5 x 19cm

Copper Notation III (2021) Drawing. 21.5 x 19cm

Copper Notation III (2021) Drawing. 21.5 x 19cm

Copper Notation IV (2021). Drawing. Thread, Ink on Wax Paper  21,5 x 19cm

Copper Notation IV (2021). Drawing. Thread, Ink on Wax Paper 21,5 x 19cm

Notes 1. (2022). Drawing. shoe polish, soft pastel, pencil and charcoal on parchment paper.

Notes 1. (2022). Drawing. shoe polish, soft pastel, pencil and charcoal on parchment paper.

Notes 2. (2022). Drawing. shoe polish, soft pastel, pencil and charcoal on parchment paper.

Notes 2. (2022). Drawing. shoe polish, soft pastel, pencil and charcoal on parchment paper.

Notes 4. (2022). Drawing. shoe polish, soft pastel, pencil and charcoal on parchment paper.

Notes 4. (2022). Drawing. shoe polish, soft pastel, pencil and charcoal on parchment paper.

Notes 3. (2022). Drawing. shoe polish, soft pastel, pencil and charcoal on parchment paper.

Notes 3. (2022). Drawing. shoe polish, soft pastel, pencil and charcoal on parchment paper.

A Sequence of Disruptions (2022)

A Sequence of Disruptions (2022)

Copper Notation  (2021) Drawing. pastel, pencil, thread on wax paper. 13 x 17 cm
(unavailable)

Copper Notation (2021) Drawing. pastel, pencil, thread on wax paper. 13 x 17 cm (unavailable)

Copper Notation 5 (2021) Drawing. pastel, pencil, thread on wax paper. 12,5 X 15 cm
(unavailable)

Copper Notation 5 (2021) Drawing. pastel, pencil, thread on wax paper. 12,5 X 15 cm (unavailable)

Copper Notation 6 (2021) Drawing. pastel, pencil, thread on wax paper. 13 x 17 cm
(unavailable)

Copper Notation 6 (2021) Drawing. pastel, pencil, thread on wax paper. 13 x 17 cm (unavailable)

Copper Notation 7 (2021) Drawing. pastel, pencil, thread on wax paper. 14 x 22 cm
(unavailable)

Copper Notation 7 (2021) Drawing. pastel, pencil, thread on wax paper. 14 x 22 cm (unavailable)

Ode To Green (2021) Drawing. pastel, pencil, thread on wax paper. 18 x 12 cm
(available)

Ode To Green (2021) Drawing. pastel, pencil, thread on wax paper. 18 x 12 cm (available)

Copper Notation
(unavailable)

Copper Notation (unavailable)

Copper Notation
(unavailable)

Copper Notation (unavailable)

Copper Notation
unavailable

Copper Notation unavailable

Copper Notation
(unavailable)

Copper Notation (unavailable)

untitled (2022) chalk, thread, shoe polish and paint on plastic

untitled (2022) chalk, thread, shoe polish and paint on plastic

Rise (Naudia) 2021. shoe polish , thread and paint on plastic

Rise (Naudia) 2021. shoe polish , thread and paint on plastic

Urban Shadows (2023) paint and thread on plastic
photo: Anthea Pokroy

Urban Shadows (2023) paint and thread on plastic photo: Anthea Pokroy

Left: " Protect Your  Heart" (2024) and Right: "Put Yourself First (2024)

Left: " Protect Your Heart" (2024) and Right: "Put Yourself First (2024)

 "I am slow to reply/sometimes i take time" (2024)

Resilience: Pleasure and Self Care in a Precarious World curated by Thuli Mlambo James

Eigen+Art Lab

image photo credit: Peter Oliver Wolff

"I am slow to reply/sometimes i take time" (2024) Resilience: Pleasure and Self Care in a Precarious World curated by Thuli Mlambo James Eigen+Art Lab image photo credit: Peter Oliver Wolff

Put Yourself First (2024)

Resilience: Pleasure and Self Care in a Precarious World curated by Thuli Mlambo James

Eigen+ Art Lab

image photo credit: Peter Oliver Wolff

Put Yourself First (2024) Resilience: Pleasure and Self Care in a Precarious World curated by Thuli Mlambo James Eigen+ Art Lab image photo credit: Peter Oliver Wolff

blue drawing on Kraft roll

blue drawing on Kraft roll

blue drawing on Kraft roll

blue drawing on Kraft roll

parchment paper explorations

parchment paper explorations

drawing on parchment paper

drawing on parchment paper

detail of a drawing on parchment paper

detail of a drawing on parchment paper

If I...
2023
Thread, watercolor, acrylic and soft pastel on poly cotton fabric
Image size: 147 x 165 cm
Frame size: 173 x 196 x 3.5 cm (unavailable)
image credit: Anthea Pokroy 2024

If I... 2023 Thread, watercolor, acrylic and soft pastel on poly cotton fabric Image size: 147 x 165 cm Frame size: 173 x 196 x 3.5 cm (unavailable) image credit: Anthea Pokroy 2024

Tracking I (2021)
Cotton thread on Kraft paper 
Image size: 78 x 194 cm 
Frame size: 55 x 202 x 3.5 cm (available)
image credit: Anthea Pokroy 2024

Tracking I (2021) Cotton thread on Kraft paper Image size: 78 x 194 cm Frame size: 55 x 202 x 3.5 cm (available) image credit: Anthea Pokroy 2024

Tracking II (2023)
Charcoal, chalk and oil paint on Kraft paper
Image size: 65 x 173 cm 
Frame size: 72 x 197.5 x 3.5 cm (available)
image credit: Anthea Pokroy 2024

Tracking II (2023) Charcoal, chalk and oil paint on Kraft paper Image size: 65 x 173 cm Frame size: 72 x 197.5 x 3.5 cm (available) image credit: Anthea Pokroy 2024

Seeding
2020
Pastel, thread on wax paper
Image size: 86 x 139 cm  (available)
Frame size 102 x 153 x 4.5 cm
image credit: Anthea Pokroy 2024

Seeding 2020 Pastel, thread on wax paper Image size: 86 x 139 cm (available) Frame size 102 x 153 x 4.5 cm image credit: Anthea Pokroy 2024

find your way (2023)
Thread, charcoal pencil, tea leaves and tea bags on poly cotton fabric
Image size: 78 x 105 cm
Frame size: 102 x 135.5 x 3.5 cm (unavailable)
image credit: Anthea Pokroy 2024

find your way (2023) Thread, charcoal pencil, tea leaves and tea bags on poly cotton fabric Image size: 78 x 105 cm Frame size: 102 x 135.5 x 3.5 cm (unavailable) image credit: Anthea Pokroy 2024

Charcoal, thread, tape and chalk on wax paper
Image size: 192 x 30 cm
Frame size: 196.5 x 34 x 3,5 cm (unavailable)
image credit: Anthea Pokroy 2024

Charcoal, thread, tape and chalk on wax paper Image size: 192 x 30 cm Frame size: 196.5 x 34 x 3,5 cm (unavailable) image credit: Anthea Pokroy 2024

Untitled (Purple I)
2020
Watercolor, thread, pencil and charcoal on wax paper
Image size: 180 x 29 cm 
Frame size:188 x 37 x 3.5 cm (unavailable)
image credit: Anthea Pokroy 2024

Untitled (Purple I) 2020 Watercolor, thread, pencil and charcoal on wax paper Image size: 180 x 29 cm Frame size:188 x 37 x 3.5 cm (unavailable) image credit: Anthea Pokroy 2024

Echoes
2022
Oil pastel and charcoal on wax paper 
Image size: 98 x 58 cm
Frame size: 102.5 x 62.5 x 3.5 cm (available)
image credit: Anthea Pokroy 2024

Echoes 2022 Oil pastel and charcoal on wax paper Image size: 98 x 58 cm Frame size: 102.5 x 62.5 x 3.5 cm (available) image credit: Anthea Pokroy 2024

Abyss
2023
Charcoal, oil pastel, pencil, tea leaves and acrylic on fabric
Image size: 70 x 53 cm
Frame size: 80.5 x 62.5 x 3.5 cm (unavailable)
image credit: Anthea Pokroy 2024

Abyss 2023 Charcoal, oil pastel, pencil, tea leaves and acrylic on fabric Image size: 70 x 53 cm Frame size: 80.5 x 62.5 x 3.5 cm (unavailable) image credit: Anthea Pokroy 2024

Drawing with my mother
2020
Stone residue and pencil on fax roll 
Image size: 20.5 x 20 cm
Frame size: 31 x 30 x 2.5 cm
image credit: Anthea Pokroy 2024

Drawing with my mother 2020 Stone residue and pencil on fax roll Image size: 20.5 x 20 cm Frame size: 31 x 30 x 2.5 cm image credit: Anthea Pokroy 2024

Dialogues of softness 1. 2022. Drawing. charcoal and pencil and tealeaves on wax paper. 193 x24cm

Dialogues of softness 1. 2022. Drawing. charcoal and pencil and tealeaves on wax paper. 193 x24cm

Dialogues of softness 2. 2022. Drawing. charcoal and pencil and tealeaves on wax paper. 193 x24cm

Dialogues of softness 2. 2022. Drawing. charcoal and pencil and tealeaves on wax paper. 193 x24cm

Dialogues of softness 3. 2022. Drawing. charcoal and pencil and tealeaves on wax paper. 193 x24cm.

Dialogues of softness 3. 2022. Drawing. charcoal and pencil and tealeaves on wax paper. 193 x24cm.

Dialogues of softness 4 2022. Drawing. charcoal and pencil and tealeaves on wax paper. 193 x24cm

Dialogues of softness 4 2022. Drawing. charcoal and pencil and tealeaves on wax paper. 193 x24cm

Dialogues of softness 5. 2022. Drawing. charcoal and pencil and tealeaves on wax paper. 193 x24cm

Dialogues of softness 5. 2022. Drawing. charcoal and pencil and tealeaves on wax paper. 193 x24cm

Dialogues of softness 6 2022. Drawing. charcoal and pencil and tealeaves on wax paper. 193 x24cm

Dialogues of softness 6 2022. Drawing. charcoal and pencil and tealeaves on wax paper. 193 x24cm

Dialogues of softness 7.2022. Drawing. charcoal and pencil and tealeaves on wax paper. 193 x24cm

Dialogues of softness 7.2022. Drawing. charcoal and pencil and tealeaves on wax paper. 193 x24cm

Notions of Assembling and Disassembling I. 2022.Ink and charcoal on canvas. 125 x 73 cm
image credit : December Makgonye

Notions of Assembling and Disassembling I. 2022.Ink and charcoal on canvas. 125 x 73 cm image credit : December Makgonye

Notions of Assembling and Disassembling II. 2022. Ink and charcoal on canvas. 125 x 73 cm.
image credit : December Makgonye

Notions of Assembling and Disassembling II. 2022. Ink and charcoal on canvas. 125 x 73 cm. image credit : December Makgonye

Notions of Assembling and Disassembling III. 2022.Ink and charcoal on canvas. 125 x 73 cm
image credit : December Makgonye

Notions of Assembling and Disassembling III. 2022.Ink and charcoal on canvas. 125 x 73 cm image credit : December Makgonye

Notions of Assembling and Disassembling IV. 2022.Ink and charcoal on canvas.

Notions of Assembling and Disassembling IV. 2022.Ink and charcoal on canvas.

Manuscript (2021) mixed media collage 
unavailable

Manuscript (2021) mixed media collage unavailable

fax roll drawings (2020) stone and pencil

fax roll drawings (2020) stone and pencil

fax roll drawings (2020) stone and pencil

fax roll drawings (2020) stone and pencil

fax roll drawings (2020) stone pencil

fax roll drawings (2020) stone pencil

fax roll drawings (2020) stone and pencil

fax roll drawings (2020) stone and pencil

home study 2021 Lino cut

home study 2021 Lino cut

home study II (2021) lino cut

home study II (2021) lino cut

wait 2021 Lino cut

wait 2021 Lino cut

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Making Sense of The Same Story curated by Boitumelo Makousu
image credit: Anthea Pokroy (2024)

Making Sense of The Same Story curated by Boitumelo Makousu image credit: Anthea Pokroy (2024)

Making Sense of The Same Story curated by Boitumelo Makousu
image credit: Anthea Pokroy (2024)

Making Sense of The Same Story curated by Boitumelo Makousu image credit: Anthea Pokroy (2024)

Making Sense of The Same Story curated by Boitumelo Makousu
image credit: Anthea Pokroy (2024)

Making Sense of The Same Story curated by Boitumelo Makousu image credit: Anthea Pokroy (2024)

Making Sense of The Same Story curated by Boitumelo Makousu
image credit: Anthea Pokroy (2024)

Making Sense of The Same Story curated by Boitumelo Makousu image credit: Anthea Pokroy (2024)

Making Sense of The Same Story curated by Boitumelo Makousu
image credit: Anthea Pokroy (2024)

Making Sense of The Same Story curated by Boitumelo Makousu image credit: Anthea Pokroy (2024)

Making Sense of The Same Story curated by Boitumelo Makousu
image credit: Anthea Pokroy (2024)

Making Sense of The Same Story curated by Boitumelo Makousu image credit: Anthea Pokroy (2024)

Making Sense of The Same Story curated by Boitumelo Makousu
image credit: Anthea Pokroy (2024)

Making Sense of The Same Story curated by Boitumelo Makousu image credit: Anthea Pokroy (2024)

Making Sense of The Same Story curated by Boitumelo Makousu
image credit: Anthea Pokroy (2024)

Making Sense of The Same Story curated by Boitumelo Makousu image credit: Anthea Pokroy (2024)

Making Sense of The Same Story curated by Boitumelo Makousu
image credit: Anthea Pokroy (2024)

Making Sense of The Same Story curated by Boitumelo Makousu image credit: Anthea Pokroy (2024)

AP_240117_024.jpg
untitled 2021

untitled 2021

untitled

untitled

Grounds for Speculation (2024) close up shot
image credit: Cedric Mussano

Grounds for Speculation (2024) close up shot image credit: Cedric Mussano

Grounds for Speculation (2024) close up shot
image credit: Cedric Mussano

Grounds for Speculation (2024) close up shot image credit: Cedric Mussano

Grounds for Speculation (2024) close up shot
image credit: Cedric Mussano

Grounds for Speculation (2024) close up shot image credit: Cedric Mussano

installation view: Grounds for speculation and untitled (2021) showing along side David Koloane

Punya 2.0 curated by Kabelo Malatsie at Kunsthalle Bern
image credit: Cedric Mussano

installation view: Grounds for speculation and untitled (2021) showing along side David Koloane Punya 2.0 curated by Kabelo Malatsie at Kunsthalle Bern image credit: Cedric Mussano

installation view: Grounds for speculation and untitled (2021) showing along side David Koloane

Punya 2.0 curated by Kabelo Malatsie at Kunsthalle Bern
image credit: Cedric Mussano

installation view: Grounds for speculation and untitled (2021) showing along side David Koloane Punya 2.0 curated by Kabelo Malatsie at Kunsthalle Bern image credit: Cedric Mussano

installation view: Grounds for speculation and untitled (2021) showing along side David Koloane

Punya 2.0 curated by Kabelo Malatsie at Kunsthalle Bern
image credit: Cedric Mussano

installation view: Grounds for speculation and untitled (2021) showing along side David Koloane Punya 2.0 curated by Kabelo Malatsie at Kunsthalle Bern image credit: Cedric Mussano

installation view: Grounds for speculation and untitled (2021) showing along side David Koloane

Punya 2.0 curated by Kabelo Malatsie at Kunsthalle Bern
image credit: Cedric Mussano

installation view: Grounds for speculation and untitled (2021) showing along side David Koloane Punya 2.0 curated by Kabelo Malatsie at Kunsthalle Bern image credit: Cedric Mussano

installation view: Grounds for speculation and untitled (2021) showing along side David Koloane

Punya 2.0 curated by Kabelo Malatsie at Kunsthalle Bern
image credit: Cedric Mussano

installation view: Grounds for speculation and untitled (2021) showing along side David Koloane Punya 2.0 curated by Kabelo Malatsie at Kunsthalle Bern image credit: Cedric Mussano

installation view: Grounds for speculation and untitled (2021) showing along side David Koloane

Punya 2.0 curated by Kabelo Malatsie at Kunsthalle Bern
image credit: Cedric Mussano

installation view: Grounds for speculation and untitled (2021) showing along side David Koloane Punya 2.0 curated by Kabelo Malatsie at Kunsthalle Bern image credit: Cedric Mussano

installation view: Grounds for Speculation (2024) and untitled (2021) showing along side David Koloane

Punya 2.0 curated by Kabelo Malatsie at Kunsthalle Bern
image credit: Cedric Mussano

installation view: Grounds for Speculation (2024) and untitled (2021) showing along side David Koloane Punya 2.0 curated by Kabelo Malatsie at Kunsthalle Bern image credit: Cedric Mussano

The Things we make for the things we did not know installation (2022 -2023) with contributions by Caterina Giansiracusa, Crista Uwase and Matshelane Xhakaza first iteration
photo credit: Gillian Fleischman

The Things we make for the things we did not know installation (2022 -2023) with contributions by Caterina Giansiracusa, Crista Uwase and Matshelane Xhakaza first iteration photo credit: Gillian Fleischman

The Things we make for the things we did not know installation (2022 -2023) with contributions by Caterina Giansiracusa, Crista Uwase and Matshelane Xhakaza first iteration
photo credit: Gillian Fleischman

The Things we make for the things we did not know installation (2022 -2023) with contributions by Caterina Giansiracusa, Crista Uwase and Matshelane Xhakaza first iteration photo credit: Gillian Fleischman

The Things we make for the things we did not know installation (2022 -2023) with contributions by Caterina Giansiracusa, Crista Uwase and Matshelane Xhakaza first iteration
photo credit: Gillian Fleischman

The Things we make for the things we did not know installation (2022 -2023) with contributions by Caterina Giansiracusa, Crista Uwase and Matshelane Xhakaza first iteration photo credit: Gillian Fleischman

The Things we make for the things we did not know installation (2022 -2023) with contributions by Caterina Giansiracusa, Crista Uwase and Matshelane Xhakaza first iteration
photo credit: Gillian Fleischman

The Things we make for the things we did not know installation (2022 -2023) with contributions by Caterina Giansiracusa, Crista Uwase and Matshelane Xhakaza first iteration photo credit: Gillian Fleischman

The Things we make for the things we did not know installation (2022 -2023) with contributions by Caterina Giansiracusa, Crista Uwase and Matshelane Xhakaza first iteration
photo credit: Gillian Fleischman

The Things we make for the things we did not know installation (2022 -2023) with contributions by Caterina Giansiracusa, Crista Uwase and Matshelane Xhakaza first iteration photo credit: Gillian Fleischman

The Things we make for the things we did not know installation (2022 -2023) with contributions by Caterina Giansiracusa, Crista Uwase and Matshelane Xhakaza 
first iteration
photo credit: Gillian Fleischman

The Things we make for the things we did not know installation (2022 -2023) with contributions by Caterina Giansiracusa, Crista Uwase and Matshelane Xhakaza first iteration photo credit: Gillian Fleischman

The Things we make for the things we did not know installation (2022 -2023) with contributions by Caterina Giansiracusa, Crista Uwase and Matshelane Xhakaza first iteration
photo credit: Gillian Fleischman

The Things we make for the things we did not know installation (2022 -2023) with contributions by Caterina Giansiracusa, Crista Uwase and Matshelane Xhakaza first iteration photo credit: Gillian Fleischman

The Things we make for the things we did not know installation (2022 -2023) with contributions by Caterina Giansiracusa, Crista Uwase and Matshelane Xhakaza first iteration
photo credit: Gillian Fleischman

The Things we make for the things we did not know installation (2022 -2023) with contributions by Caterina Giansiracusa, Crista Uwase and Matshelane Xhakaza first iteration photo credit: Gillian Fleischman

The Things we make for the things we did not know installation (2022 -2023) with contributions by Caterina Giansiracusa, Crista Uwase and Matshelane Xhakaza first iteration
photo credit: Gillian Fleischman

The Things we make for the things we did not know installation (2022 -2023) with contributions by Caterina Giansiracusa, Crista Uwase and Matshelane Xhakaza first iteration photo credit: Gillian Fleischman

The Things we make for the things we did not know installation (2022 -2023) with contributions by Caterina Giansiracusa, Crista Uwase and Matshelane Xhakaza first iteration
photo credit: Gillian Fleischman

The Things we make for the things we did not know installation (2022 -2023) with contributions by Caterina Giansiracusa, Crista Uwase and Matshelane Xhakaza first iteration photo credit: Gillian Fleischman

The Things we make for the things we did not know installation (2022 -2023) with contributions by Caterina Giansiracusa, Crista Uwase and Matshelane Xhakaza first iteration
photo credit: Gillian Fleischman

The Things we make for the things we did not know installation (2022 -2023) with contributions by Caterina Giansiracusa, Crista Uwase and Matshelane Xhakaza first iteration photo credit: Gillian Fleischman

The Things we make for the things we did not know installation (2022 -2023) with contributions by Caterina Giansiracusa, Crista Uwase and Matshelane Xhakaza first iteration
photo credit: Gillian Fleischman

The Things we make for the things we did not know installation (2022 -2023) with contributions by Caterina Giansiracusa, Crista Uwase and Matshelane Xhakaza first iteration photo credit: Gillian Fleischman

The Things we make for the things we did not know installation (2022 -2023) with contributions by Caterina Giansiracusa, Crista Uwase and Matshelane Xhakaza first iteration
photo credit: Gillian Fleischman

The Things we make for the things we did not know installation (2022 -2023) with contributions by Caterina Giansiracusa, Crista Uwase and Matshelane Xhakaza first iteration photo credit: Gillian Fleischman

The Things we make for the things we did not know installation (2022 -2023) with text based contribution (Learning to Disappear) by Caterina Giansiracusa
photo credit: Gillian Fleischman

The Things we make for the things we did not know installation (2022 -2023) with text based contribution (Learning to Disappear) by Caterina Giansiracusa photo credit: Gillian Fleischman

The Things we make for the things we did not know installation (2022 -2023) with contributions by Caterina Giansiracusa, Crista Uwase and Matshelane Xhakaza 
first iteration
photo credit: Gillian Fleischman

The Things we make for the things we did not know installation (2022 -2023) with contributions by Caterina Giansiracusa, Crista Uwase and Matshelane Xhakaza first iteration photo credit: Gillian Fleischman

The Things we make for the things we did not know installation (2022 -2023) with a sound piece (Sonuscript) Matshelane Xhakaza 
first iteration
photo credit: Gillian Fleischman

The Things we make for the things we did not know installation (2022 -2023) with a sound piece (Sonuscript) Matshelane Xhakaza first iteration photo credit: Gillian Fleischman

The Things we make for the things we did not know installation (2022 -2023) with dream catcher contribution by Crista Uwase 
second iteration

The Things we make for the things we did not know installation (2022 -2023) with dream catcher contribution by Crista Uwase second iteration

The Things we make for the things we did not know installation with contributions by Caterina Giansiracusa, Crista Uwase and Matshelane Xhakaza second iteration

The Things we make for the things we did not know installation with contributions by Caterina Giansiracusa, Crista Uwase and Matshelane Xhakaza second iteration

The Things we make for the things we did not know installation with contributions by Caterina Giansiracusa, Crista Uwase and Matshelane Xhakaza second iteration

The Things we make for the things we did not know installation with contributions by Caterina Giansiracusa, Crista Uwase and Matshelane Xhakaza second iteration

The Things we make for the things we did not know installation with contributions by Caterina Giansiracusa, Crista Uwase and Matshelane Xhakaza second iteration

The Things we make for the things we did not know installation with contributions by Caterina Giansiracusa, Crista Uwase and Matshelane Xhakaza second iteration

The Things we make for the things we did not know installation with contributions by Caterina Giansiracusa, Crista Uwase and Matshelane Xhakaza second iteration

The Things we make for the things we did not know installation with contributions by Caterina Giansiracusa, Crista Uwase and Matshelane Xhakaza second iteration